Sabine Metzger

Sabine Metzger hat über das Thema Eros und Morbid Artistry. Existenz und Poiesis im Werk von John Hawkes promoviert. Ihre Veröffentlichungen umfassen Artikel über Gertrude Stein, Nathaniel Hawthorne und Vladimir Nabokov, sowie Beiträge zu Vampires and Zombies: Transcultural Migrations and Transnational Interpretations und Nabokov’s Life and Art. Ihre Forschungsschwerpunkte sind Vladimir Nabokov, transnational literatures, Phänomenologie (Ludwig Binswanger, Henri Maldiney, Jean-Louis-Chrétien, Edward S. Casey), Sound Studies und Posthumanism.

“Eary Doubles: Tympanic Mechanisms and Cochlear Structures in Nabokov’s Ada.”  Nabokov Studies, 18, 2022 – 23, pp. 53 – 65

“Nabokov’s Sonic Geographies.” Nabokov Online Journal, XV, 2021

“Undulations and Vibrations, Tonalities and Harmonies: Nabokov, Acoustics and the Otherworld.” Marie Bouchet, Julie Loison-Charles, Isabelle Poulin (eds.) The Five Senses in Nabokov’s Works. London: Palgrave Macmillan, 2020, pp. 275 – 293

“Dark Chambers: Nabokov and the Second Sense.” Nabokov Online Journal, XIII, 2019

“Taking Room and Giving Room: Displacement, Generous Spaces and Impossibility to Exist in Nabokov’s ‘Cloud, Castle, Lake’.”
Nabokov Studies, 14, 2016, 33 – 59 

“’A Weird Place:’ Nabokov and the Topography of the Foreign Governess.”
Nailya Garipova Castellano and José Torres Núnez (eds.). Women in Nabokov’s Life and Art. Bern, New York, Oxford: Peter Lang, 2016, 153 - 174  

“She Loves the Blood of the Young”: The Bloodthirsty Female as Cultural Mediator in Lafcadio Hearn’s “The Story of Chūgōrō.”
Dorothea Fischer-Hornung and Monika Müller (eds.) Vampires and Zombies: Transcultural Migrations and Transnational Interpretations. Jackson: U P of Mississippi, 2015, 62 – 88

“’The Mysteries of Mimicry” and Nature as Supreme Art: Nabokov’s Intangible Nature .”
Nabokov Online Journal  (NOJ) IX, 2015. Web

(Rez.) “Betram, John and Yuri Leving (eds.): Lolita: The Story of a Cover Girl. Vladimir Nabokov’s Novel in Art and Design. Blue Ash, Ohio: Print Books, 2013.”
Russian Review 73,2 (2014), 310 -311 

“‘That Indefinable Nothing, That Inestimable Something:’ Empathy and the Miraculum of Art in The Marble Faun.” Nathaniel Hawthorne Review,  37, 1, 2011, 88 – 108

“’Beyond the Pleasure Principle’: Nabokov’s Homo Poeticus.“
The Nabokovian 62,      2009, 5 – 25

Eros und Morbit Artistry. Existenz und Poiesis im Werk von John Hawkes.
Würzburg: Königshausen & Neumann, 2007

(Übers.) Henri Maldiney, Verstehen. (Vorwort Bernhard Waldenfels)
Wien: Turia & Kant, 2007

“Existence / Insistence: The Pathic Moment In Gertrude Stein’s Poetics.“
Wascana Review, 36,2, 2001, 38 - 59